Cleopatra VII of Egypt, 51-30 BC, with Mark Antony. Tetradrachm (Silver, 26 mm, 14.86 g, 1 h), Antiochia on the Orontes or a mint further to the South, circa 36. BACIΛICCA KΛЄOΠATPA ΘЄA NЄⲰTЄPA Diademed and draped bust of Cleopatra to right, wearing earring and necklace. Rev. ANTⲰNIOC AYTOKPATⲰP TRITON TPIⲰN ANΔPⲰN Bare head of Mark Antony to right. BMC 53. McAlee 174. Prieur 27. RPC I 4094. Beautifully toned and with two attractive portraits. Somewhat rough and the reverse struck slightly off center, otherwise, very fine.


The tragic romance between Cleopatra and Mark Antony has touched generations of artists and poets and the tetradrachms depicting the Queen of Egypt and the Roman general are, unsurprisingly, among the most famous and popular coins from the Imperatorial era. Where exactly they were struck is still a matter of debate: they were traditionally attributed to Antiochia on the Orontes, but this has been questioned based on stylistic comparisons and the fact that Antiochia never formed part of Cleopatra's possessions. Die links show that her portrait is on the obverse, and the use of Greek legends and titles further strengthens the argument for a mint under her rule somewhere in the Levant. What is clear, in any case, is that the minting of coins showing the portrait of a Hellenistic queen on one side and that of a Roman general on the other was an unprecedented move, all the more so since Mark Antony was still married to Octavia at the time. This offense undoubtedly played into the hands of Octavian, Octavia's brother, who used Mark Antony's love affair with the foreign, exotic queen and the alleged sellout of Roman interests for his political propaganda prior to and during the civil war to come.